By Yolande Norris
Site specific artworks, and exhibitions that exist outside of a gallery context, are fickle beasts. When they work, they are fantastic, thrilling – a revelation. The trouble is, they often don’t.
This conundrum is currently being brought to light by the Canberra Glassworks, who have handed the reins to independent curator Narelle Phillips for their latest exhibition Powerhouse. Phillips has invited eight artists (not all necessarily of the glass persuasion) to respond to the Glassworks building – the antiquated Kingston Power House.
The building truly is something to behold – particularly in the context of the history-hungry Canberra sprawl. The cavernous structure, with its industrial fixtures and nonsensical collage of windows, doors and corridors has a wonderfully imposing, and perhaps slightly whimsical presence. Herein lies a problem. READ MORE...
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