Fairfax
Theatre, National Gallery Of Australia
Reviewed by Len Power 16 February 2024
Although Johann Sebastian Bach held the position of Thomaskantor, director of church music, in Leipzig, Germany for 27 years until his death in 1750, he was not the first choice for that position.
Although Bach was an applicant, the position was offered to Georg Philip Telemann, who ultimately turned it down. The Leipzig Town Council then offered the position to a new applicant, Christoph Graupner, who was forced to decline the offer as he was unable to be released from his current position. Only then was the position offered to Bach.
Salut! baroque’s The Genius concert celebrated the work of Bach and his contemporaries with a music selection from the baroque period of the 17th and 18th centuries.
The
artists who performed in various combinations, were Anna Fraser, soprano, Sally
Melhuish and Alana Blackburn, recorders, Sally Walker, baroque flute, Meg Cohen
and Sarah Papadopoulos, baroque violins, John Ma, baroque viola, Tim Blomfield,
bass violin, Simon Martyn-Ellis, theorbo and Monika Kornel, harpsichord
As well as two works by Bach himself, the program included pieces by other composers of the period such as Buxtehude, Hurlebusch, Telemann, Keiser, Monteverdi, Reincken, Caldara, Handel, Bach’s son, Johann Christian Bach, and his rival for the kantor position, Christoph Graupner.
Anna Fraser (soprano) and ensemble
Simon Martyn-Ellis (theorbo) and Anna Fraser (soprano) |
Bach’s Ouverture; Badinerie from Orchestral Suite No. 2 in which Sally Walker’s flute playing was delightful, brought this rich and enjoyable concert to a close.
Photos
by Peter Hislop
This review was first published by Canberra CityNews digital edition on 17 February 2023.
Len Power's reviews are also broadcast on Artsound FM 92.7 in the ‘Arts Cafe’ and ‘Arts About’ programs and published in his blog 'Just Power Writing' at https://justpowerwriting.blogspot.com/.