The Street
Theatre. Saturday 4th August
Continuing
until 12th August 2012.
Reviewed by
Bill Stephens
Canberra’s
hot-house of creativity, The Street Theatre, was alive with adventurous and bemused
music lovers on Saturday night eager to sample some of the one-off performances
included in this year’s ten-day feast of contemporary jazz that is the Capital
Jazz Project. As expected of The Street these days, the presentation of this event
is superb, with excellent sound and atmospheric lighting to enhance the
performances
More than
ninety players are participating in this year’s event, with the emphasis on
reed instruments and composition, and
although such trend-setters as Paul Capsis, Christa Hughes and Gian Slater will
perform during the festival, there was not a vocalist to be heard on Saturday
night. Instead contrasting programs by three world-class ensembles were on
offer in the two theatres.
Internationally renowned saxophonist, Sandy
Evans commenced the evening in Street Two, transformed into a glamorous, cosy jazz
club for the festival, with table candles, gold wall frames and chandeliers. Working
with long time collaborators, bassist Brett Hirst and drummer Toby Hall, Evans
also included charismatic Indian tabla player, Bobby Singh, to present a series
of new compositions that latest of which, she announced, had been completed
“twenty minutes ago”, and which commenced with Evans on clarinet setting the
theme and mood for a series of exotic, mesmerising improvisations.
Uber-cool
combo, Albare, was the attraction in Street One. Fronted by Moroccan-born jazz
guitarist and composer, Albert Dadon and including Cuban drummer Ignacio
Berroa, pianist Phil Torcio, bassist Evri Evripedou, and German harmonica
virtuoso Hendrik Meurkens who, in the words of Dadon, was a “German who played
like a Brazilian”, Albare presented a series of silky smooth, Latin-American-inspired
compositions. Lost in their music-making, the musicians played with eyes
downcast, studiously ignoring their audience, who, nevertheless, dutifully
clapped every improvisation, the experience of luscious music at this level,
reward enough.
Back to
Street Two for a performance by tenor saxophonist and composer, John Mackey who
premiered an eleven- section suite which he confided was “only completed
today”. With titles including “Insurrection” and “Emotional Valour” the music
had a very New York jazz club feel, dense, atmospheric, and emotionally
involving with its complex progressions and improvisations, providing a
satisfying conclusion to a fascinating evening.
An edited version of this review appears in the August 9 - 15 edition of CITY NEWS and in the CITY NEWS digital edition.
An edited version of this review appears in the August 9 - 15 edition of CITY NEWS and in the CITY NEWS digital edition.