Naomi Price performs Lady Beatle at the Adelaide Cabaret festival |
Lady Beatle.
Performed by Naomi Price. Created by Adam Brunes and Naomi Price. A Little Red Company and La Boite production. The Dunstan Playhouse. Adelaide Festival Centre. June 9-11 2017.
Reviewed by Peter Wilkins
Naomi Price as Lady Beatle |
The pre-show recorded Country and
Western music and the smooth gospel sound of Elvis Presley could give little
clue as to the brilliant performance that was soon to burst upon the stage.
Dressed in a grey Sergeant Pepper style dress and with dark glasses beneath her straight Sixties
cut hair, Lady Beatle, colour blind like her species, evoked the cold, grey vista
of the Mersey town, in contrast to her rendition of the vibrant colour of the
songs that the Beatles brought into the world. The poetry of the lyrics sing
with meaning on the breath of her powerful voice, and an audience sits riveted,
entranced and enchanted , not only by her astounding talent, but by the burning
emotion of an outsider desperate to belong, and finding in the songs of her heroes
the security of love, peace, equality and belonging.
What begins as a tribute in song
becomes an anthem to their gift to the world and in the end a eulogy for the
genius who lay behind the success and the enduring legacy of the four lads who
sang covers in Liverpool’s Cavern before being brought into the light and
coloured world from the darkness of obscurity. Tears well and the throat chokes
as alone on stage, Lady Beatle sings the tragic fate of Eleanor Rigby and reminds us of a gay Jew, desperate to belong and
yet dead of an overdose of prescription drugs before his thirty first birthday.
How well we may remember Sir George Martin and his influence as the record
producer of Sergeant Pepper’s Lonely
Hearts Club Band, but who remembers their first manager and proclaimed “fifth
Beatle”, Brian Epstein, once again brought to life with such poignancy, such
heartfelt adulation by Price in her fantastical persona of the Lady Beatle.
Only Paul and Ringo remain, and
it is not likely that Epstein would have approved of Paul’s gig with Kanye West
and Rhianna or Ringo’s stint as the voice of Thomas the Tank Engine. What he
would have approved of would be Naomi Price’s superb storytelling in anecdote
and song, not only of characters and events, but more importantly of the spirit
and the poetry that inspired and created the feeling to belong, and fight
against the judgement of others in a world of negativity, pain and struggle.
Suspended above Lady Beatle, pipe
tubes of light cascade their individual sequences of colour in a masterful
display of glimmering light and colour. Alan Watt’s voice-over metaphor of the
beetle that waits for the sun, unaware of a future, leads us into hope and
optimism with Price’s electric rendition
of Here Comes The Sun and the audience leap to their feet during a final Beatles medley
in celebration of a time, a music and four guys from the city of Liverpool who
cast aside class to prove that we are all one and all you need is love. A Beatles CD lead us out as the lights restore
and Lady Beatle leaves us bathed in the magnificent colours of her shining
talent. .