Choreographed by Stephen Page
Music by Steve Francis
Set Designed by Jacob Nash
Costumes designed by Jennifer Irwin
Lighting
designed by Nick Schlieper
Dramaturgy by Alana Valentine
Dramaturgy by Alana Valentine
Presented by
Bangarra Dance Theatre
Canberra
Theatre 3 – 5 August, 2017
Reviewed by
Bill Stephens
Most of us think we know something about Bennelong. Probably Australia’s most famous aboriginal, he was befriended by Governor Phillip, who took him to England, then set him up in a hut on Bennelong Point, where the Sydney Opera House now stands, and where he eventually died. Beyond that not many have given him a second thought.
Stephen Page
has given Bennelong a lot of thought. Thought that drove him to create this
remarkable epic work, which challenges us to consider Bennelong’s life from a
completely different perspective. A work which may well be Page’s masterpiece.
Through a
series of stunningly theatrical, abstract sequences that loosely chronicle
events that form the known dot-points of Woollarawarre Bennelong’s life, Page
has created an extraordinary, often moving and certainly revelatory dance work,
so powerful that it is impossible to leave the theatre without feeling some empathy
for the man who in his attempts to understand and participate in two different
worlds, managed to end his life as an outcast from both of them.
The Bangarra
dancers have never danced better or looked stronger than they do in this work. Whether
spectacularly conjuring up life before the white man, costumed by Jennifer
Irwin in remarkable feathered creations, or as guests in a bizarre ballroom,
they attack Page’s startlingly idiosyncratic choreography with understanding
and purpose.
Elma Kris and Beau Dean Riley Smith in "Bennelong" Photo by Vishal Pandey |
Beau Dean
Riley Smith creates a haunting figure as Woollarawarre Bennelong, and there are
stand-out performances from Elma Kris, Daniel Riley, Waangenga Blanco, Yolanda
Lowatta and Jasmin Sheppard.
Jacob Nash’s
glowing sculptural settings, superb
atmospheric lighting by Nick Schlieper, along with Steve Francis eclectic and
evocative soundscape fuel the imagination as beautiful, mysterious and
confronting sequences follow each in a seamless stream until the final
heart-wrenching climax.
That “Bennelong”
is a seminal landmark dance work, there is no doubt, but be aware; it’s the
questions it evokes that are likely to haunt you long after you have left the theatre.
Beau Dean Riley Smith and Bangarra dancers in "Bennelong" Photo: Daniel Boud This review first published in the digital edition of CITY NEWS on 05.08.2017 |