Tuesday, November 18, 2025

BROADWAY - National Capital Orchestra

 

Louis Sharpe and the National Capital Orchestra in Snow Concert Hall

Snow Concert Hall, November 16th, 2025 - Reviewed by BILL STEPHENS.

Having just been awarded by the Canberra Critics Circle for its consistent quality of performance in presenting challenging repertoire and playing new Australian compositions, the National Capital Orchestra rounded out a successful year by presenting a dazzling concert in the Snow Concert Hall.

Although it didn’t include any Australian compositions, Sunday’s concert certainly demonstrated the orchestra’s mastery of challenging repertoire.


Louis Sharpe conducting the National Capital Orchestra in Snow Concert Hall

Under the enthusiastic baton of its musical director, Louis Sharpe, who also doubled as a jovial compere, the orchestra of nearly 80 musicians was a spectacular sight as it launched into a lush arrangement by Robert Russell Bennett of the overture from the Jule Styne musical, Funny Girl.

Then followed a feast of music from landmark musicals commencing with a rousing rendition by guest artists Joe Dinn and Jared Newall of "Agony" from the Stephen Sondheim musical Into the Woods and followed with a delightful rendition of Harold Arlen’s "Over the Rainbow" by Alira Prideaux.


Joe Dinn  - Alira Predeaux - Jared Newall - performing "Do-Re-Mi" in Broadway".

It was interesting to hear songs written for female artists but performed by male singers for this concert when Jared Newall offered,"You’ll Never Walk Alone" from the Rodgers and Hammerstein musical Carousel, and Joe Dinn sang "Memory" from Andrew Lloyd Webber’s Cats.

Compositions by Leonard Bernstein ended the first half of the program in sensational style when Alira Prideaux took the stage in a dazzling red sequined gown to perform a virtuosic rendition of "Glitter and Be Gay" from Candide; following which the National Capital Orchestra thrilled with a stunning performance of selections from Bernstein’s West Side Story arranged by Jack Mason, which left the auditorium abuzz.

How did they top that? Well may you ask.  

Selections from Lerner & Loewe’s, My Fair Lady, Andrew Lloyd Webber’s, Phantom of the Opera and Schonberg & Boublil’s, Les Misérables, superbly sung by the three guest artists, is part of the answer.

But Louis Sharpe still had some aces up his sleeve in the form of brilliant orchestral arrangements of music from the Stephen Schwartz musical, Wicked, arranged by Ted Ricketts, and a gorgeous new arrangement by Marcus Martin of the spectacular "Waltz" from the Rogers and Hammerstein musical, Carousel, both thrillingly performed by the orchestra.

Apart from the sheer pleasure of hearing the orchestral items so stylishly performed with thrilling precision and attention to detail by an orchestra of this size, there was also pleasure in marvelling at how sensitively the orchestra accompanied the vocal items, and the care taken by Sharpe to insure that the soloists lyrics were not lost in the orchestral sound, particularly evident in Jared Newall’s beautifully nuanced rendition of "The Music of the Night", and the lovely duet, "All I Ask of You", sung by Alira Prideaux, and both from Phantom of the Opera.  


Zahra Zulkapli performing "On My Own"


For the penultimate act of the concert Sharpe introduced a final guest artist in the form of fourteen-year-old Zahra Zulkapli who wowed the audience with her flawless rendition of "On My Own" from Les Misérables. She then joined the rest of the cast, the orchestra, and the audience, in a heartfelt rendition of "Do You Hear the People Sing", from the same musical, which brought a memorable concert to its rousing conclusion.

 

                                                          Photos by Peter Hislop


               This review first published in the digital edition of CITY NEWS on 17.11.25