Written by Nassim
Soleimanpour
Performed by
Geraldine Turner (different performers at each show)
The Street Theatre 28
May – 1 June, 2014
Review by Len Power 28
May 2014
It’s
always good to see something a bit different from the norm in theatre. Iranian writer, Nassim Soleimanpour’s ‘White
Rabbit, Red Rabbit’ is advertised as “No rehearsals, no director, no set. An unnerving comedy of human freedom that
defies national boundaries, censorship…and description.”
A
performer with no knowledge of the show takes on the challenge of a cold
reading of a script handed to them only when they walk onstage. Different performers appear on different
nights. On opening night, highly experienced
actress Geraldine Turner showed that she was game for anything this script might
throw at her. The audience was also
asked to keep their phones switched on during the performance, which was highly
unusual, but there was a reason. If the
audience then thought they could sit back and just enjoy Miss Turner’s probable
discomfort, they were quickly mistaken.
Given an individual number in relation to where they were seated,
certain audience members were then selected by numbers stated in the script to
take part in various sequences that were quite challenging for
non-performers. Those of us not selected
in the first group were soon feeling distinctly nervous.
It’s
important that both performer and audience don’t know the content of the show before
they see it, so I can’t spoil it by revealing its secrets. It’s fair to say that the writer’s intent is
to touch on issues about differences in human rights internationally, how easy
it is to react like animals rather than human beings and, at the same time, examine
play writing from both the writer’s, performer’s and audiences’ point of view.
My
immediate reaction at the end of the play was that I enjoyed it. Geraldine Turner was an excellent performer
to take the journey with. Doing a cold
reading of a script would be hard enough, but ensuring the audience was
entertained as well was a lot to ask of any performer. She kept the audience on side with a twinkling
sense of humour and made us feel we were sharing her experience quite
intimately. It was also fun to see
hapless audience members taking on challenges they were not expecting and enjoying
that delicious feeling of ‘I’m glad it wasn’t me’. The participating audience members actually
did rather well.
However,
thinking about it afterwards, there wasn’t really much depth in the
writing. Various issues were raised but it
was all rather basic and nothing you didn’t know already. The surface dramatics were much more
interesting and enjoyable but swamped any serious intent by the writer. However, it would be fun to see where other
performers and audiences take the show.
If
you like to see something rather different, you can have a good time at this
show. The only confronting aspect you’ll
experience is having your number called and finding yourself part of the
performance.
Originally broadcast on Artsound FM 92.7 'Dress Circle' program with Bill Stephens 5pm - 6.30pm Sunday 1 June 2014
