Written by Alan
Bennett
Directed by Jarrad
West and Christopher Zuber
Everyman Theatre
The Courtyard Studio,
Canberra Theatre Centre to September 16
Reviewed by Len Power
1 September 2017
You’d be forgiven for not feeling very excited to hear that ‘The
History Boys’ is about an unorthodox teacher and his colleagues at a British
grammar school trying to prepare some gifted young men for the upcoming Oxford
and Cambridge entrance exams. However, this
funny, engaging and ultimately moving play by Alan Bennett goes a lot further
than that with its comments on education and educators, gender, sex, morality, behaviour
and life in general. Everyman Theatre
have given it a powerful and memorable production.
Co-directors, Jarrad West and Christopher Zuber, have
assembled a dream cast who fit their roles perfectly.
Chris Baldock, as the eccentric General Studies teacher, Hector,
commands the stage in a towering performance as he inspires his students while
infuriating the very straight Headmaster, played superbly by Geoffrey
Borny. Their confrontation scene
involving an accusation of a serious breach of conduct by Hector, is chillingly
well played by both actors.
Hayden Splitt as the new History teacher, Irwin, gives a nicely
quiet, thoughtful performance of this man who is not yet very sure of himself
and Alice Ferguson perfectly plays the confidence and cynicism of an elderly
teacher who has seen it all.
 |
|
Front: Lucas Frank, Henry Strand, Cole Hilder, Glenn
Brighenti 2nd Row: Patrick Mandziy, Patrick Galen-Mules, Andrew Macmillan, Jack
Tinga. Back Row: Chris Baldock, Alice Ferguson, Geoffrey Borny, Hayden Splitt.
Photo: DC Photography
|
This play wouldn’t work if you don’t have a group of
powerful young actors to play the ensemble of eight students. Every member of this ensemble looks right and
convinces as bright young intellectuals.
Their sharp characterizations, energy and confident rapid-fire delivery
are exciting to watch. Each actor gets
his moment to shine and embraces it skilfully.
The play is performed in the Courtyard Studio in the round. It’s an excellent choice as it draws you
deeply into the action of this play. The
directors keep the pace going at lightning speed and the depth of characterizations
achieved by the cast is a credit to their choice of actors and their direction.
The set is simple – just non-descript classroom desks and
chairs – but that’s all the play needs The
lighting design by Hamish McConchie is well done, showing us clearly where we
are in time in the play and there are well-chosen costumes by Fiona Leach. There were also some nicely subtle sound
effects that added atmosphere to the show.
This is a play you’ll never forget and Everyman Theatre’s
production of it succeeds on every level.
Don’t miss it!
Len Power’s reviews
are also broadcast on Artsound FM 92.7’s new ‘On Stage’ program on Mondays from
3.30pm and on ‘Artcetera’ from 9.00am on Saturdays.
