Presented by Grand International Concert
Reviewed by Bill Stephens
Since the early 1960’s, when Eric Edgley began importing
Russian dance shows, Australia has been treated to some of the finest dance
ensembles available in Russia. However,none have been more impressive than “Kostroma” which is currently coming to
the end of its world-wind Australian tour before moving on to New Zealand.
Though this is its first Australian tour, “Kostroma”, which was founded in the early 1990’s, has
already carved out an enviable reputation on the International touring circuit
for its superb dancers and stunning production values. The founders of the
company, Elena and Yuri Tsarenko, tour with the company, together with their
two children, Ivan Tsarenko, (one of the lead dancers and stunt coach), and
Maria Veshkina, (who’s responsible for the touring and public relations
arrangements).
The whole company is very family orientated. 80% of the 50 elite dancers who make up the troupe are married couples, and they tour with 10 tons of costumes and scenery which includes 600 exquisite costumes and 300 props, among them Tatar bells, medieval spears, shields, banners and flags.
What sets this handsome company apart from similar dance
shows is it’s attention to detail, the imaginative staging of its performances,
and the precision and skill of its dancers. The various dance numbers are
arranged as a history of Russia told through a seamless series of cleverly staged
sequences. The beautifully designed costumes eschew authenticity in favour of
artistic theatrical representations of those worn in the various regions
represented. Similarly the impressive
silver filigree setting, which includes a huge screen on which an
ever-changing montage of beautiful images, some abstract, others realistic, are
projected to enchant and inform.
The stage is constantly awash with action, whether by superbly
trained dancers in exquisitely detailed costumes, eyes downcast and faces
serene, gliding around the stage executing unbelievably intricate manoeuvres, or
by the exciting hordes of bold Georgian warriors, or drum-beating Caucasians,
catapulting around the stage performing eye-popping stunts. There is delightful
fun as a dancing horse intrudes into a charming Russian Tea Shop scene.
Especially impressive, given the gruelling tour schedule, is
the attention to detail. Each dancer is impeccably turned-out, not a hair out
of place, nor a hand or foot. The choreography is precisely executed, and the
costumes are superbly presented, not a crease or crinkle to be seen.
This is a top quality show. Should it come your way, do
yourself a favour and don’t miss it. Oh ! and take the kids, they’ll be just as
enchanted.
This review appears in Australian Arts Review
