Presented by Sydney Theatre
Company
Canberra Theatre
Centre Playhouse to 23 September
Reviewed by Len Power
12 September 2017
Topical revues used to be very popular in the theatre until
television arrived. Programs like ‘The
Mavis Bramston Show’ in the 1960s and others killed the revue off in the
theatre. So why has ‘The Wharf Revue’ been
able to notch up so many years of annual fun and consistently fill theatres?
The answer has to be the clever writing and performance skills
of the creators Jonathan Biggins, Drew Forsythe and Phillip Scott. This dream team have once again produced a
very entertaining and
hilarious evening in the theatre.
Political personalities at home and abroad are targeted
mercilessly but in a way that the people satirized would probably be laughing at
how they’re portrayed just as much as the rest of us. Well, most of them, anyway! The satire is sharp, accurate and very
Australian but it isn’t angry or nasty – we’re just meant to have a good time
and we do. Phillip Scott’s fine piano
playing with clever arrangements adds a great deal to the success of the show.
Phillip Scott |
Blazey Best joins the guys onstage this year and was a great
addition to the team. She gives a particularly
devastating performance as Senator Jacqui Lambie and her fine singing of a
Kander and Ebb song as German Chancellor, Angela Merkel, was a highlight of the
production.
Everything in this show from the performances to the
technical aspects displays a high level of professionalism. The set, realised by Barry Searle, and the
lighting, designed by Martin Kinnane, work very well together and the costumes
by Scott Fisher and Paul Warren are clever and imaginative. There's also excellent sound and video design by David Bergman. Wig stylist, Margaret Ashton, has done
extraordinary work with the huge number of funny and accurate wigs worn by the
cast.
Jonathan Biggins and Drew Forsythe |
Of course, you would be expecting that Donald Trump, Malcolm
Turnbull, Tony Abbott, Pauline Hanson and company would get a serve, but there
was also an affectionate tribute to the late actor, John Clarke, with Jonathan
Biggins and Drew Forsythe in good performances as Clarke and Bryan Dawe.
As with all revue-type shows, some parts are better than
others. The sketches involving Senator
Malcolm Roberts and Julie Bishop seemed a bit heavy-handed but, overall, it’s a
delightful show once again with juicy satire and plenty of laughs.
Len Power’s reviews
are also broadcast on Artsound FM 92.7’s new ‘On Stage’ program (hosted by Len)
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