Spiegel Big
Top - Majura Park, Canberra, until 17th December 2017.
Reviewed by
Bill Stephens
Since they
were introduced into this country by former Canberran, David Bates,
spiegeltents have become associated with a particular style of risqué European-style
intimate cabaret featuring sensational physical theatre performers.
Taking this
concept to a whole new level, “Infamous” is presented in a spectacular,
purpose-built tent, in which great care has been taken to provide an exotic
ambiance. The under-cover foyer is
equipped with bar facilities, tables and chairs, to allow patrons to gather
with their friends to soak up the atmosphere before moving into the performance
arena.
Inside, neon
outlined arches replace the familiar spiegeltent mirrors. In front of the rows of
raked seating, small tables, decorated with warmly glowing candles, surround
the ringside, creating a seductive and welcoming atmosphere. Wait-staff bustle
around servicing the tables and tempting patrons with colourful concoctions served
in fluorescent cocktail glasses. There’s even trays of sweet treats on offer to
accompany the popcorn.
Some of the cast of "Infamous" |
“Infamous” is
the brainchild of Joseph Ashton, one of the famous Ashton Circus family which
has been presenting circuses around Australia for the last 160 years. In 1998 Joe left the family business, with
which he had toured most of his life, to set up his own circus with his wife,
Michelle, and two sons, Jordan and Merrick, all of them world-class circus
performers.
Joe Ashton
has a particular affection for large apparatus circus acts like the flying
trapeze and ominously named Wheel of Death. He’s a master of both. Inspired by
the success of the spiegeltents in showcasing the skills of virtuoso physical
performers with acts requiring only a small space, Joe decided to develop his
own large format cabaret cirque, and “Infamous – a cabaret cirque sensation” is
the result.
The name
says it all. The show opens in a blaze of excitement with the sensational,
Wheel of Death, proving as thrilling as its name suggests. It’s a huge
apparatus with large circular treadmills on each end. As the wheel spins, Joe’s
sons, Jordan and Merrick, nonchalantly juggle clubs, skip with ropes and
perform handstands within the treadmills. It’s amazing stuff, but before the
audience can catch its collective breath, Joe Ashton himself, jumps onto the
outside of one of the treadmills and balances precariously while Jordan and
Merrick keep the wheel spinning. With no
safety nets, it looks frighteningly dangerous.
Ashton
senior then blindfolds himself, and while the wheel continues to spin, he jumps
and skips high above the ground. For a final tour de force, a young woman
climbs on to his shoulders and again the Wheel of Death spins them high over
the heads of the cheering audience.
From that
exciting opening act the pace never falters. Each act was impeccably presented, beautifully
costumed, and of the highest standard. Each was more jaw-dropping than the
last. A pretty singer and her glamorous
dance team performed snappy routines as the apparatus for each of the acts was
quickly set up or whisked away.
Clever
clown, Jessie Grant, delights with his clever routines whether bouncing around
in a red balloon, or, dressed elegantly in white tails, careering around the
tent chasing an errant spotlight. A sexy
black cat prowls among the audience throughout the show.
Among many
memorable, fast-moving acts, juggler, Max Balls, fascinates as he gracefully
manipulates glass balls. He returns later with his contortionist partner,
Kimtortion, to astonish with heir amazing rag doll act. Two aerialists make their entrance wearing
huge feather wings, only to discard them to perform a graceful duo act in
spectacularly brief costumes.
However, it
is the Ashton brothers, Jordan and Merrik, who perform the most daring and
spectacular feats. Both are ridiculously handsome, with impossibly trim, taut
and terrific physiques, the legacy of a lifetime of training in circus skills.
Both are excellent all round acrobats, and, besides the Wheel of Death, work
together in a graceful two-man balancing routine which shows off their
incredible strength and grace. Merrik thrills with his slack- wire act nonchalantly
juggling rings while climbing a precariously balanced ladder.
Apart from
his impressive acrobatic skills, Jordan demonstrates why he’s considered the
best flyer in Australia, when he joins the other members of his family, who
carry on their world famous tradition as The Flying Ashtons, to perform a
series of heart-stopping flying trapeze manoeuvres high above the heads of the
audience, to bring the show to an end.
Jordan and Merrik Ashton in "Infamous". |
With
“Infamous” Joseph Ashton has brought the art of circus into the 21st
century. Although a little more risqué than the Ashtons circuses of old, the
“Adults Only” label is mostly to do with strict liquor laws. For those who
appreciate circus of the highest quality, don’t miss “Infamous” …and bring Granma
.. She’ll love it.
This review also appears in Australian Arts Review. www.artsreview.com.au