Written by
Joanna Murray-Smith – Performed by Joe Petruzzi
Directed by
Tom Healey – Set and Costume designed by Darryl Cordell
Lighting
Design by Bronwyn Pringle
Composer and Sound Designer –Patrick Cronin
Composer and Sound Designer –Patrick Cronin
Presented by
Red Stitch Actor’s Theatre & Critical Stages Touring,
The Q,
Queanbeyan 5 – 7 March 2020.
Reviewed by
Bill Stephens
One-person
plays seem to be in vogue at present. In the last month Canberra audiences have
had the opportunity to experience at least three examples, with more promised later
in the year.
Melbourne
playwright, Joanna Murray-Smith is a mistress of the genre. Her plays are
performed around the world. Indeed, “American Song” was written for the
Milwaukee Repertory Theatre, which had already presented another of
Murray-Smith’s plays, “Bombshells” with Caroline O’Connor in 2010.
“American Song” premiered there in 2016 with
actor James DeVita playing the role of the quiet American, Andy, performed in
this production by Joe Petruzzi. Despite its name, “American Song” is not a
musical. Unsuspecting audience members might be surprised to discover themselves
privy to an unsettling examination of gun violence, a scourge that is inflicting contemporary
America.
Joe Petruzzi as Andy in "American Song" |
As the
audience enters the theatre, Andy, (Joe Petruzzi) is discovered in a bucolic
setting, resting from his task of building a substantial stone wall. As the
lights go down he notices the audience, and as he goes about his task, confides
details of his child-hood, of growing up, of meeting his future wife Amy.
Between setting stones, he talks of the birth of his son, Robbie, of the
pleasure he and Amy derived from Robbie’s growing up, and ponders on the
difficulties of parenting in a perilous world.
On the
surface this family appears to live in a perfect world, unremarkable yet
admirable, inspired by the Walt Whitman poem “Leaves of Grass”. It’s only when Andy
talks about his career, and confides details of an extra-marital affair, that
cracks begin to appear and threaten the perfection.
However,
it’s not the affair that shatters their world. It’s something much more
sinister, pervasive, peculiarly American, but every parents nightmare.
A brilliant
story-teller, Murray-Smith, captures her audience early with titillating details
of an ordinary life until just as one begins to wonder where all this is
leading, she reveals the shattering denouement, made all the more shocking by the
recognition of its familiarity.
Joe Petruzzi as Andy in "American Song" |
Joe Petruzzi’s
portrayal as Andy is mesmerising. As carefully as he selects and sets each
stone for the fence that, he explains, is his attempt to leave something of permanence
in an increasingly impermanent world, he subtly changes mood and pace with each
revelation.
Tom Healey
includes a subtle soundscape by Patrick Cronin to enhance his admirably
detailed direction, taking full advantage of the opportunities offered by
Darryl Cordell’s surprisingly substantial setting of a near-completed stone
fence and curved painted cyclorama background, to support Petruzzi’s portrayal
by keeping the stage visually interesting throughout the duration of this deeply
moving production.
Following
its Queanbeyan season, “American Song” will tour to Warrnambool, Moonee Ponds,
Dandenong, Frankston, Brisbane and Sydney. Don’t miss it.
Photos by Teresa Noble
This review also appears in AUSTRALIAN ARTS REVIEW. www.artsreview.com.au