Written by
Larry Kramer
Produced by
Nikki Fitzgerald and Jarrad West
Directed by
Karen Vickery
Lighting
design by Roni Wilkinson
Presented by
Everyman Theatre
Courtyard
Studio, Canberra Theatre Centre until 29th October
Reviewed by
Bill Stephens
Larry
Kramer’s searing play about events surrounding the emergence of AIDS epidemic in
New York between 1981 and 1984 is given a compelling production by Everyman
Theatre.
Largely
autobiographical, the play is based on Kramer’s own experiences as a gay
activist, and his fight to secure funds for research into the disease. While
the names are different, the characters represent those in Kramer’s circle at
the time.
Karen
Vickery’s direction of the play is masterly. Presented against a stark white background
covered with the names of those who have died of AIDS, with just the addition
of some items of furniture, moved into position by the cast when required,
relying on Roni Wilkinson’s spare lighting design to indicate changes of locale
and time, Vickery’s direction focusses the attention squarely on the text, and
the skill of her actors, to obtain maximum effect, carefully creating an
atmosphere of mounting panic and desperation in which her characters grapple
with the inexplicable, Vickery has drawn
remarkable performances from her accomplished cast, as they unflinchingly portray
the layers of conflicting emotions and motivations.
Will Huang (Felix Turner) - Jarrad West (Ned Weeks) |
Jarrad West,
in one of his best performances to date as Ned Weeks, the character based on
the real-life Kramer, manages to generate sympathy for the charismatic, driven soul,
so secure in his belief of his view of events that he alienates even those
closest to him, including his doomed lover, the New York Times writer, Felix
Turner, played with affecting sincerity by Will Huang.
Jordan Best
also gives a striking performance, as Doctor Emma Brookner, the only female
character in the play, who, having been stricken
with a virus herself, although not the one that’s the subject of the play,
goads and tantalises Ned, before becoming his strongest advocate.
Robert
deFries, impresses with his strong, sympathetic depiction of Ned’s loyal
brother, Ben, who battles his own reservations and ambitions in an effort to
acquiesce to Ned’s constant demands for unconditioned loyalty and financial
support.
As Ned’s loyal
friends and campaign supporters, Michael Sparks as an insecure older gay, and
Riley Bell, younger and more flamboyant, both offer thoughtful, resonant
performances which contrast neatly with the strongly drawn characterisation of Christopher
Zuber as Bruce Niles, initially Ned’s supporter, but ultimately his rival when
he takes over the Presidency of the organisation Ned has set up to fight the
epidemic.
Teig
Sadhana, and Christopher Carroll, both undertake dual roles, in small,
compelling cameos.
Will Huang (Felix Turner) - Jarrad West (Ned Weeks) |
Thankfully,
authorities did heed the voices of those early activists and many who followed
them, and with knowledge, much has been achieved in the education of the most
vulnerable. Extensive research has resulted in successful treatments, so that
AIDS is no longer the death sentence it was when this play was written. Never the less, this production of “The Normal Heart” is a potent illustration of
the way humans react when faced with an incomprehensible peril, and a timely warning
against complacency.