Showing posts with label National Capital. Show all posts
Showing posts with label National Capital. Show all posts

Thursday, December 1, 2022

Picture Yourself, and Woodlands, Forests, Life

Photography | Brian Rope

Picture Yourself | Gerry Orkin

Woodlands, Forests, Life by David Wong

Photo Access | 18 Nov 2022 - 17 Dec 2022

Gerry Orkin and David Wong are Canberra locals, and each of their exhibitions  here celebrates and explores aspects of life in the nation's capital.

Orkin was a founding member of Photo Access. He helped develop and deliver documentary and participatory photography projects so communities could tell their own stories.

With Picture Yourself, Orkin moved away from the traditional documentary approach, handing image making and storytelling to the subjects themselves.

Comprising images captured during Summer 1985, the exhibition is seventy-four unconventional, yet uncomplicated, artworks showing Canberra’s community.

Orkin set up a tripod-mounted camera in temporary structures at public events and invited passers-by to take “selfies” by squeezing a hand-held bulb to trigger the shutter.

The photographs include individuals, plus small and large groups. Orkin was investigating the idea that something interesting might happen when he asked people “who are you?” - to make it possible to show (not just tell) stories about themselves, in one photograph, at that moment.

The results are delightful and quirky. If you went to Sunday in the Park events or Canberra Day parades in that 1985 Summer, you may well have gone into the booth with some family or friends and posed for the camera. Whether you did or not, this is an exhibition every then resident of Canberra should visit to explore this wonderful collection and see if you recognise anyone. Indeed, even if you didn’t live in Canberra at that time, you will love looking at these people shots. So, do yourself a favour and visit this exhibition.

Prints of images are available for purchase in various sizes and can be viewed at https://pictureyourself.picflow.com/catalogue. Orkin also seeks our assistance to identify the people pictured and you can do that on the catalogue website. There is also a book containing all 74 images which can be purchased from Photo Access.

Gerry Orkin - Picture Yourself, 1985

And whilst visiting, you will also very much enjoy the companion exhibition. From an early age, Wong has loved nature and explored the bushland areas close to his home. The high-quality prints of his imagery on show are a beautiful collection of photos of those places - and what he has found and seen in them.

These Woodlands, Forests, Life artworks span around a decade and explore the different aspects of eucalypt ecosystems within local nature reserves – their variety and quality, their safeguarding. And also explores people seeking to understand, restore and protect them. Woodlands, Forests, Life is also part of a broader 2022 Eucalypt Australia Dahl Fellowship project.

The strength of this exhibition lies in its broad coverage. There are wonderful woodland landscapes, but also much more.


David Wong - Bruce Ridge, 2021


There are the elements of those woodlands, including a beetle, a gum hopper, a bull ant, moss capsules, a gecko, and fungi.


David Wong - Eastern Stone Gecko

There are images relating to the threats to woodlands and about the good folk who are involved in various ways seeking to protect them - a fence, a sculpture, a sign.

 


David Wong - Little Eagle, Ginninderry, 2022

There are even polaroid prints of the woodlands cascading from a wall onto the floor with an invitation for visitors to take a piece of the landscape.

All this is accompanied by an excellent catalogue essay by Canberra photographer Chris Holly and two great pieces of Wong’s own writing on top of two pedestals in the gallery. Here’s just a snippet from The Helpers: 

When the morning news

tells of apocalypse

They get to work

 

Writing letters

Chipping weeds

Teaching kids

Testing hypotheses

All the images and accompanying words in this quality exhibition should result in visitors getting out into the woodlands to, as Holly says, stand among eucalypts and recognise who you are.

This review was first published online by The Canberra Times on 28/11/22 here then in the print version on page 10 of Panorama on 3.12.22. It is also available on the author's blog here,

Saturday, May 7, 2022

Lifetime Book 1. Coming of age

Photography Book Review | Brian Rope

Lifetime Book 1. Coming of age | Greg Dickins

There have been various photo-books published about Canberra. Heide Smith published five of them about the city and its people between 1983 and 2012. Col Ellis published one in 2014 - providing tips and tricks for aspiring photographers, as well as creating a memento for expatriates and visitors. And I provided all the images for a 1990 book introducing Canberra to thousands of visitors shown around by local tourism company Hire-A-Guide.

However, I doubt that three independent photo-books about the city have previously been launched simultaneously. But now we have three which all examine Canberra as a place of social, cultural and political significance. Each explores the personal relationships of their photographers to the city. Each also looks at the national capital’s wider, public meaning.

One of them, Life-Time Book 1. Coming of age, is the first in a planned series of five photo-books by Greg Dickins. It catalogues his life in Canberra between 1967 and 1973, focussing on his experiences of childhood, school, university student revelry and family intimacy -  against the backdrop of anti-Vietnam War protests and rallies to establish an Aboriginal embassy. His planned later books will cover the years to 1987, after he left Canberra.

Dickins has spent his working life as a journalist and media consultant but has always had a passion for photography. He picked up a 35mm SLR camera as a teenager in the late 1960s - that time of great social, political and cultural change. Since then he has maintained a permanent darkroom, working mostly in black & white.

As a record of Canberra the way it looked and felt fifty years ago, this volume reveals something of the extent to which the city has evolved and changed through time. In his introduction, Dickins identifies his first dilemma as author of a book of photographs – “What do I have to say?” His response was that he needed to narrate a story linking the pictures and explaining their inclusion. So, he shows us what he saw and hopes we will see his take on what his images mean - or meant at the time.

So, how well has the author achieved his purpose? The childhood section includes some delightful images of youngsters doing the types of things all children do – playing with balloons - and something home-made, rolling about together on the ground, and painting at kindergarten.


Jane, Tricia & friend, June 1973 - Greg Dickins

They are also shown gesturing, laughing, and even looking like Winston Churchill. Some adults also make appearances with the children. These photos clearly represent what childhood meant for the majority of kids in Canberra at that period.

Dickins then moves on to school years. He shows us school-age children playing in the Cotter River, waiting for the school bus, in marching girl outfits, together on a sandy beach, and enjoying Canberra Day.


Di, Paul, Kyle & Judy, Casuarina Sands, November 1967 - Greg Dickins

Perhaps of greatest interest are the strong images of schoolchildren participating in an anti-Vietnam War march and rally in September 1970. Are their counterparts protesting today aware their counterparts did the same?

Next the book explores university student years – speakers’ corner (who remembers that?), rugby, drama (including a nude poetess and a production of Marat Sade), the first on-campus condom vending machine, Bush Week activities and conscription notice burning. Plus a 1972 march to establish the Aboriginal Embassy and, again, an anti-Vietnam War march and rally. A number of well-known people appear, including two political leaders. There are some great historical shots here.


March to establish the Aboriginal Embassy, July 1972 - Greg Dickins

The final three images about family neatly close off what Dickins wanted to say. He has successfully narrated his story.

The book can be purchased at Photo Access or online at https://au.blurb.com/b/11093552-life-time-book-1-coming-of-age-large-12x12.

This review is also on the author's blog here. Another version was published in the Canberra Times on 7/5/22 here as part of a combined review of this and the other two book launched at the same time.