Monday, December 2, 2024

BLOODY MURDER - Canberra Repertory Society

 

Holly Ross - Arran McKenna -Stuart Roberts - Steph Roberts - Antonia Kitzel - Glen Brighenti 
in "Bloody Murder"


Written by Ed Sala – Directed by Josh Wiseman

Set designed by Josh Wiseman – Costumes designed by Suzan Cooper

Lighting designed by Nathan Sciberras – Sound designed by Neville Pye

Rep Theatre Nov.21 to Dec. 7th, 2024.

Performance on Nov.28th reviewed by Bill Stephens


Canberra Repertory is offering a perfect antidote for pre-Christmas malaise with a deliciously silly but brilliantly conceived and performed production in which the characters, rather than the actors, rebel against the material.

The actors certainly don’t because they get the joke and give every appearance of revelling in the opportunities offered by Ed Sala’s witty script, to tantalise the audience with the endless farcical twists and turns.

Riffing on the popularity of Agatha Christie type murder mysteries, Sala has concocted a play utilising the tropes associated with this genre.

Set in the isolated country mansion of Lady Somerset whose guests include stock characters; a retired major, a once-famous actor, a sweet ingenue, a mysterious countess, a faithful maid, a police inspector, a passing motorist, a nun and a worthless nephew.

Inevitably there is a murder, actually several, each heralded with a black-out to hide the dastardly deed from the audience who wait to find out who has survived.

It all starts off very predictably, but the brilliance of this production is how cleverly and hilariously the expectations of the audience are turned on their heads.

With his first production for Canberra Repertory, Josh Wiseman has introduced himself as a director to watch. His production is meticulously rehearsed and impressively detailed. He obviously possesses the ability to inspire his cast and production team to offer their best work.

His setting is beautifully realised and decorated with a collection of elegant objects that indicate the enthusiasm of his properties team in sourcing exactly the right piece. It also tests the alertness of the audience in noticing subtle changes to the setting the play progresses.

Susan Cooper’s stylish costumes cleverly indicate the personality and purpose of each character, avoiding any confusion whenever one of the carefully cast actors changes character, while thoughtful sound and lighting contributions from Neville Pye and Nathan Sciberras add to the pleasure.

With a play that could easily have been spoilt by mugging, Wiseman has been able to guide his actors to pitch their performances at exactly the correct level, and, miracle of miracles, every word of dialogue was perfectly articulated and easily heard without the actors resorting to shouting.


Antonia Kitzel - Glen Brighenti - Stuart Roberts - Holly Ross in "BLOODY MURDER".

Leading the excellent cast Antonia Kitzel sets the tone and anchors the production with a strong confident performance as the indomitable Lady Somerset, leaving Steph Roberts to hog the laughs with a brilliant turn as the less-than-diligent maid, Jane.

Holly Ross manages two contrasting roles, the butter-would’nt -melt-in-her-mouth ingenue, Emma, and the mysterious red-sequin gowned Countess, with admirable aplomb.

Arran McKenna is suitably pompous as The Major, while Stuart Roberts oozes louche charm as the once-famous actor, Devon Tremaine. Glenn Brighenti does well in dual roles as Lady Somerset’s worthless nephew as well as the ever- probing Chief Inspector Phelps.

Watching this clever sextet mine the laughs working in perfect unison for meticulously timed pratfalls and cleverly conceived comedy business, evidenced the attention to detail that has been lavished on this production.

If there is a criticism it lies with the author who spends rather too much time towards the end of the play complicating an already complicated premise.

Apart from this quibble it would seem churlish not to rate this superbly presented and delightfully entertaining production among those of Rep’s best.

 

                                                         Photos by Ross Gould