Friday, May 15, 2026

SPHERE - Australian Dance Party - The Vault - Dairy Road Precinct - ACT.

 

SPHERE -  Alison Plevey - Ashlee Bee - Gabriel Sinclair 

Directed by Alison Plevey and Sara Black

Composer: Sia Ahmad – Videography & Editing: Creswick Collective

Costumes: Kelli Donovan - Stage Manager: Anna Davies.

Dancers: Alison Plevey, Sara Black, Ashlee Bee, Gabriel Sinclair, Pat Hayes Cavanagh, Jahna Lugnan, Jason Pearce, Mia Rashid.

The Vault – Dairy Road Precinct - 14-16th May 2026.

Performance on 14th May reviewed by BILL STEPHENS.


SPHERE - Mia Rasheed - Gabriel Sinclair - Sara Black


For ten years Australian Dance Party has been challenging audiences with site-specific creations across the Australian Capital Territory.

Born out of a passion for her environment, dance artist Alison Plevey has sustained a professional contemporary dance company dedicated to alerting audiences not only to degradation and waste, but also to the joys derived from awakening and participation.

She does this by creating works which are fun, witty, challenging and always thought-provoking and most often in unusual environments that have inspired the works. Among them the National Botanical Gardens, Mount Majura Solar Farm and other National Cultural Institutions and architectural icons.  

With SPHERE, an ambitious multi-discipline work with which the ADP is celebrating its 10th year, Plevey has drawn inspiration from a suite of extraordinary videos shot in forests around Canberra as well as the possibilities offered by the building in which it is staged. Plevey and her co-Director, Sara Black, have created a huge immersive artwork which incorporates elements of dance, film and sound.

Both Plevey and Black participate in the work, together with their dancers, Ashlee Bee, Gabriel Sinclair, Pat Hayes Cavanagh, Jahna Lugnan, Jason Pearce and Mia Rashid as well as their entire audience.  

SPHERE - Jahna Lugna.


The Vault provides the perfect environment. Originally a huge, unlovely, concrete building in the Dairy Road Precinct, which began its life as storage for government documents, the Vault, through the imagination, leadership and energy of David Caffey, now exists as a multi-purpose entertainment venue.

Although Plevey has explored its possibilities before, for this work she has embraced its vastness by stripping it back to its four walls.

On entering the building, the audience finds themselves inhabiting an unfamiliar world. Coloured spotlights piece though a low-lit misty atmosphere, through which figures, some in trailing costumes, glide silently.  

A disembodied voice invites arrivals to explore the area, choose one of the many low seats scattered through-out, perhaps spread a rug near the cosy fireplace and sip an aperitif from the nearby bar as they settle expectantly for the performance to begin.

Unannounced, the lights fade to black, a haunting soundtrack begins, and the entire space magically becomes lush forest.  

The projections which cover the four walls are startingly sharp and clear. Dancing figures can be seen among the forest growth, so close and lifelike that it is easy to imagine that one could join them.  

Then you notice that the dancers are interacting with the projected images, and you find yourself being drawn into a surreal, increasingly captivating world. The effect is curious and quite discombobulating.

SPHERE is presented in four sections each differentiated by a short black-out.  The dance style is abstract, often bordering on improvised movement as individual dancers gracefully move through tightly focussed spotlights.


SPHERE - Pat Hayes Cavanagh

In some sections the dancers lift each other as they appear to walk up walls. In another, they combine to form a huge human ball with their bodies to allow another to languish on top of them as they move along. Other sections have the dancers surrounded by exotic tiling or drawing hieroglyphics in chalk on the floor.

Make what you will of what you see, SPHERE offers a provocative, tantalising, fascinating experience to celebrate the first ten years of existence for the Australian Dance Party.


                                          All images by O & J Wikner Photography


     This review also published in AUSTRALIAN ARTS REVIEW. www.artsreview.com.au