Saturday, October 24, 2026

PICNIC AT HANGING ROCK

 


Adapted by Tom Wright

From the book by Joan Lindsay

Directed by Caitlin Baker

Chaika Theatre Production

ACT Hub Theatre to 7 November

 

Reviewed by Len Power 23 October 2026

 

Since Joan Lindsay wrote her novel ‘Picnic At Hanging Rock’ in 1967 and the popular 1975 film was released, this story became a part of Australian folklore. Now it’s adapted as a play by Tom Wright.

On a sweltering Valentine’s Day in 1900, a group of schoolgirls have a picnic at mysterious Hanging Rock. Several girls and a teacher climb the rock, although forbidden to do so, and vanish without a trace.

This intriguing mystery is part ghost story as well as a study in repression, desire, twisted and faulty memories and an inability of a society to adapt to Australian conditions.

Tom Wright’s stage adaptation has five actors playing all of the roles in the story. As the cast rapidly move from character to character, we are quickly disorientated and drawn into the mystery that is told in possibly unreliable memories and fantasies.

Foreground: Jessi Gooding, Breanna Kelly. Background: Karina Hudson, Thea Jade

Caitlin Baker’s set evokes a schoolroom with the blackboard and its chalk writings as well as the dusty, dirty Australian bush underfoot. The clever sound, designed by Paris Scharkie, and the lighting, designed by Disa Swifte, add to the enveloping atmosphere.

Paris Scharkie, Thea Jade

The cast of five – Jessi Gooding, Karina Hudson, Thea Jade, Breanna Kelly and Paris Scharkie – capture the claustrophobic world of a group of boarding schoolgirls very well. With the style of the play, there’s little opportunity for deep character studies and this keeps us at a distance as the story unfolds. Only Karina Hudson has an opportunity to provide a strong character study when she appears as Miss Appleyard, the school’s harsh Principal.

Karina Hudson, Jessi Gooding, Breanna Kelly

The mystery of this story, and the conditions that enabled it to happen, are presented in a kaleidoscopic fashion so that it is difficult to know what is real or imagined. The result is a dream-like production full of unresolved mystery.

Played without a break for 70 minutes, the edginess of the story, the depiction of life in a private school in 1900 and the all-encompassing mystery of the disappearance are very well presented by director, Caitlin Baker, and her cast.

 

Photo by Jane Duong


Len Power's reviews are also broadcast on Artsound FM 92.7 in the ‘Arts Cafe’ and ‘Arts About’ programs and published in his blog 'Just Power Writing' at https://justpowerwriting.blogspot.com/.