Research School of Social Sciences, ANU | Until September/October 2022
Whilst reporting on
conflicts, acclaimed journalist Liz Deep-Jones, was deeply disturbed that they
unfolded in the name of religion or racism.
Inspired by a community-led,
grassroots initiative ‘Racism Not Welcome’,
Deep-Jones joined forces with portrait photographer, Tim Bauer, to present this
exhibition ‘We Bleed The Same’.
Deep-Jones grew up in a Lebanese, Arabic-speaking household trying to figure out how she belonged in Australian society where she experienced bigotry. She says the exhibition is “about you, me, humanity!” Bauer is the child of a refugee European father and an Australian mother who taught him to love and respect all human beings.
Thirty-nine women and men from varied backgrounds, religion and race feature in Bauer’s images. And in an accompanying documentary produced by Deep-Jones, they share personal and emotional stories about their diverse cultures and experiences with dangerous and demoralising racism. Like them, we should all be seeking to defeat racism.
As he is a pre-eminent Australian portrait photographer, it is no surprise that Bauer’s diverse images here are simply superb. The people he has wonderfully portrayed include former Race Commissioner Tim Soutphommassane, First Nations Elder Leetona Dungay (whose son David died in custody) and refugee Marcella Kaspar.
Tim Soutphommasane © Tim Bauer
Lovemore N'dou, one of the other incredible people featured, had a successful early career in boxing but, due to South Africa’s apartheid policies, was not allowed to compete internationally. He migrated to Australia and continued his boxing career before becoming a lawyer.
There is Australian-born Uyghur woman Subhi Bora, indigenous Torres Strait Islander author and union official Thomas Mayor, and Filipino migrant Brenda Gaddi. Also South Sudanese refugee Deng Adut, proud Australian Muslim woman Maryam El-Kiki, and human rights advocate and refugee activist Thanush Selvarasa.
Accompanying each wonderful Bauer portrait are the subjects’ deeply personal stories in words assembled by Deep-Jones - explaining who they are, what their personal racism experiences have been, and how they are involved with seeking to combat bigotry. Those words take the already powerful images even further - they are profoundly moving. It is highly probable that studying the images and reading the words will make most viewers quite emotional.
From Mayor, we learn “Indigenous people experience racism in this country every day. Racism makes me feel less than human, insignificant, like I’m not even there but we need to stand up and be proud of who we are. We are on our country and that can’t be ignored.”
The exhibition also features various installations - including the interactive Kizuna (Japanese - meaning ties or bonds) in which family photographs submitted by the local community are being hung from a red Hills Hoist using red strings. The threads of photos represent the connectedness between Australians whilst reflecting our diversity. Deep-Jones hopes this exhibition that she has produced will convey that message and spark visitors into ongoing conversations about racism in Australia.
Another installation comprises vials of fake red blood, each labelled with a name of a portrait subject and, so, symbolising them and shouting, ‘We Bleed The Same.’
There are opportunities for visitors to share their personal experiences of, and views about, racism by writing in red alongside images of a “blood-soaked arm.” And a Cedar Tree of Lebanon installation, inspired by Deep-Jones’ family roots, seeks to touch our souls and ignite our hearts to inspire positive action for humanity.
Deep-Jones expects the exhibition will continue until at least September 2022. It is in the foyer and also the first floor of the RSSS building at the ANU. I urge everyone who can to see this important presentation.
For a great interview with Deep-Jones check here.
This review was published by the Canberra Times on 28/05/22. It is also available on the author's blog here.