Photography Book Review | Brian Rope
Lifetime Book 1. Coming of age | Greg Dickins
There have been various photo-books published about Canberra. Heide Smith published five of them about the city and its people between 1983 and 2012. Col Ellis published one in 2014 - providing tips and tricks for aspiring photographers, as well as creating a memento for expatriates and visitors. And I provided all the images for a 1990 book introducing Canberra to thousands of visitors shown around by local tourism company Hire-A-Guide.
However, I doubt that three independent photo-books about the city have previously been launched simultaneously. But now we have three which all examine Canberra as a place of social, cultural and political significance. Each explores the personal relationships of their photographers to the city. Each also looks at the national capital’s wider, public meaning.
One of them, Life-Time Book 1. Coming of age, is the first in a planned series of five photo-books by Greg Dickins. It catalogues his life in Canberra between 1967 and 1973, focussing on his experiences of childhood, school, university student revelry and family intimacy - against the backdrop of anti-Vietnam War protests and rallies to establish an Aboriginal embassy. His planned later books will cover the years to 1987, after he left Canberra.
Dickins has spent his working life as a journalist and media consultant but has always had a passion for photography. He picked up a 35mm SLR camera as a teenager in the late 1960s - that time of great social, political and cultural change. Since then he has maintained a permanent darkroom, working mostly in black & white.
As a record of Canberra the way it looked and felt fifty years ago, this volume reveals something of the extent to which the city has evolved and changed through time. In his introduction, Dickins identifies his first dilemma as author of a book of photographs – “What do I have to say?” His response was that he needed to narrate a story linking the pictures and explaining their inclusion. So, he shows us what he saw and hopes we will see his take on what his images mean - or meant at the time.
So, how well has the author achieved his purpose? The childhood section includes some delightful images of youngsters doing the types of things all children do – playing with balloons - and something home-made, rolling about together on the ground, and painting at kindergarten.
Jane, Tricia & friend, June 1973 - Greg Dickins
They are also shown gesturing, laughing, and even looking like Winston Churchill. Some adults also make appearances with the children. These photos clearly represent what childhood meant for the majority of kids in Canberra at that period.
Dickins then moves on to school years. He shows us school-age children playing in the Cotter River, waiting for the school bus, in marching girl outfits, together on a sandy beach, and enjoying Canberra Day.
Perhaps of greatest interest are the strong images of schoolchildren participating in an anti-Vietnam War march and rally in September 1970. Are their counterparts protesting today aware their counterparts did the same?
Next the book explores university student years – speakers’ corner (who remembers that?), rugby, drama (including a nude poetess and a production of Marat Sade), the first on-campus condom vending machine, Bush Week activities and conscription notice burning. Plus a 1972 march to establish the Aboriginal Embassy and, again, an anti-Vietnam War march and rally. A number of well-known people appear, including two political leaders. There are some great historical shots here.
The final three images about family neatly close off what Dickins wanted to say. He has successfully narrated his story.
The book can be purchased at Photo Access or online at https://au.blurb.com/b/11093552-life-time-book-1-coming-of-age-large-12x12.
This review is also on the author's blog here. Another version was published in the Canberra Times on 7/5/22 here as part of a combined review of this and the other two book launched at the same time.