Chameleon Collective performing "Golden Ratio" Photo: Andrew Sikorski |
Lighting Design by Linda Buck
Belconnen
Arts Centre 3rd & 4th December.
Reviewed by
Bill Stephens.
Devised and
presented to co-incide with the International Day of People with Disability, “A
Stellar Lineup” proved to be a surprisingly
affecting showcase for the many
Canberra organisations engaged in
providing inclusive programs and opportunities for those who identify as
disabled, HOH (hard of hearing), chronically ill, neurodiverse or have lived
mental health experience.
Drawing on
the talents of such diverse groups as Ignite Makers, the Zest Dancers, the Chameleon
Collective, Project Dust, The Deaf
Butterflies and Canberra Dance
Theatre’s GOLD Company, Liz Lea has
drawn on her own considerable professional theatrical skills and taken advantage
of the superb staging facilities of the Belconnen Arts Centre to provide a
professional setting to showcase the
many ways the talented enablers involved
in these various organisations provide
opportunities for hitherto unexpected talents to flower.
Even before the audience entered the auditorium a procession of white figures dressed in spectacular wearable art devised by IGNITE Makers signalled that this was to be a memorable performance. Following these figures into the auditorium the audience was greeted by about thirty members of the ZEST dancers seated on stage.
Led by Jane
Ingall, Philip Piggins, Jacqui Simmonds and Debora Di Centa, The ZEST dancers,
who include people with Parkinsons and other mobility and neurological issues
specialise in chair dancing and their entertaining interpretations of several
Elvis Presley songs were convincing proof that these conditions need not be a
bar to busting a move.
An inspiring
short film by Christian Doran, edited by Arianna Bosi, and filmed in the burnt-out
ruins of Mt. Stromlo featuring members of the Chameleon Collective performing
to music of the constellations recorded by the Griffyn Ensemble, was followed
by a performance by an emerging First Nations dance group, Project Dust,
directed by Emma Laverty, which included a very young dancer who captivated the
audience with his determination to execute all the dance moves correctly.
The Deaf Butterflies performing "Singing In The Rain" |
The Deaf
Butterflies, led by Gretel Burgess and Debora di Centa, also captivated with
two items, both performed in front of beautiful atmospheric films by Justin Ray
and Liam Budge and edited by Liz Lea.
“Singing In The Rain” for which the Gene Kelly lyrics were interpreted
by Auslan interpreter, Brett Olzen, and “Spring”.
An engaging
duet performed by Nat Thomas and Charlie Wan, loosely based on the ABC program
“You Can’t Ask That” but entitled “Why would you SAY That?” gave a sneak peek
into the daily interactions they experience as Disabled mothers, queer people
and performers.
Dancer, Emily Knight, of the Chameleon
Collective followed with a striking solo which she choreographed with Courtney
Tha to the music of John Metcalfe in front of visualization by Dylan Nelson.
GOLD Dancers performing "No regrets |
A program
highlight was provided by the GOLD (Growing Old Disgracefully) dancers with the
world premiere of a delightful new work, choreographed by Liz Lea, entitled “No
Regrets”. Outrageously costumed in feathers and spangles the group lived up to
its name with some cheeky fun, performed with precision and gusto, which had
the audience in stitches through-out, and certainly justified the title.
Chameleon Collective performing "Golden Ratio" |
However the
best was kept till last when the Chameleon Collective performed a stunning new
work to music by Vivaldi, and choreographed by Liz Lea. Entitled “Golden Ratio”
and based on the Fibonacci Sequence, Brydie Bulley, Anna Connelly, Katie Senior,
Emily Knight, Neave Darmody, Lataesha Marsden, Karin Adriansdatter, Sabrina Madafarri, led by
Liz Lea, and costumed in glittering white sequins, performed together and
individually.
To a poetic
spoken soundtrack expounding the beauty of difference, each of the dancers was
spotlighted in front of glowingly beautiful images of themselves, filmed by
Andrew Sikorski and edited by Arianna Bosi.
It was a powerful, revealing and masterful work which provided a stunning finale to a superbly presented program.
This review first published in the digital edition of CITY NEWS on 3rd December 2022.