Jesus, Jane, Mother and Me.
Written and directed by
Philip Stokes. Performed by Jack Stokes.
Set and lighting design by Craig Lomas. Sound design by Annie May Fletcher.
Adelaide season produced by Holden Street Theatres,Lawrence Batley Theatre,KETCHUP Productions and Richard Jordan Productions - The Studio – Holden
Street Theatres. February 14 – March 19 2023. Adelaide Fringe.
Reviewed by Peter Wilkins.
And yet the unsettling feeling
persists through his account of being embraced by the Rapture under the
evangelical guidance of Reverend Birch. His devotion to his faith and his Reverends
are all embracing. Here he can find salvation from those who scorn and bully
him for being different. Here he can find a community where he can belong.
Stokes’s script is ingeniously interwoven with the excess of religious fervor.
It is a small step to his obsession for Jane McDonald, a singer and TV
celebrity, who dazzles him with her performance during his first visit to the
theatre. Religious rapture and the obsession of a superfan are the beacons in
his search for identity and belonging. Stokes’s performance of a young man’s
ascent into obsession is mesmerizing as he discovers his Hallelujah and creates
a shrine to McDonald. And yet the feeling persists, fuelled by Stokes’s rising
crescendo from prose to poetry as Daniel becomes subsumed by fantasy.
The unravelling comes like a
thief in the night. Stokes’s exalted prose gradually turns to cynicism, sarcasm
and anger as Daniel’s rapture and adoration of his star begin to fade into the
reality of a life of rejection, disappointment and isolation. Philip Stokes’s
voice of youthful exuberance gives way to the terse and tormented voice of
abandonment. Stokes is a writer who knows his character intimately and in the
one hour monologue can find the voice to utter Daniel’s trajectory from
innocence to tragedy. Jack Stokes portrays Daniel with gripping authenticity.
He inhabits the tormented youth with searing intelligence and empathy. As Ave Maria swells throughout the final
scene, Stokes cries out his defiance against a faith that let him down, a neighbor
who spurned him, a celebrity who led him to disillusionment and a mother’s
lover who forced him from his home. In the final moments of Jesus Jane Mother and Me Daniel’s
despairing wail “I know who I am” is a plea to an audience transfixed by the
power of the play and the brilliance of the performance to understand.
Jesus Jane Mother and Me is much more than a cry for compassion. It
is a warning against prejudice and indifference. It is an advocate for
acceptance and love. It offers a meaning that is too important to ignore.
Holden Street Theatres is to be applauded for bringing this powerful work and
outstanding performance to the Adelaide Fringe. For Adelaide Fringe goers it is
one show that is not to be missed.