Friday, May 31, 2024

THE ART OF DISRUPTION

 


The Art of Disruption. Directed by Sammy Moynihan and Melissa Gryglewski. Lighting design Jen Wright. Costume design Miranda Young. Captions Chipz Jin. Photographer Andrew Sikorski Auslan Interpretation Brett Olzen. Audio Description Liz Lea Previous creative contributors Frank Molnar and Nikki Watts.` Rebus Theatre. ACT HUB. At Causeway Hall Kingston.  May 30-June 1. 2024. Bookings: rebustheatre.com

 Reviewed by Peter Wilkins




 On the way to a rehearsal of a new play, Windows on our Community Lisa (Simone Bartram) and Jade (Leanne Schutt) are caught in a traffic jam, caused by the building of a new precinct by huge corporation Megacorp. Jade remarks that everyone is in the same situation.. It could well be a mantra for Canberra’s leading inclusive theatre company.  Rebus Theatre has earned an award winning reputation for the opportunities it provides its diverse community of theatre artists to create productions that reflect the skills of their community of performers with lived experience of disability and mental health challenges in an inclusive and supportive environment. The result is work that is enlightening and theatrically engaging. Their current production. The Art of Disruprion is such a show. Blending the fantasy of children’s theatre with the social commentary on modern society, Rebus Theatre under the direction of Sammy Moynihan and Melissa Gryglewski has produced a work that is funny, heart-warming, satirical and ultimately a moral fable on the true nature of community.

The play opens with Lisa and Kym (Kimberley Adams) wandering through a projected landscape of flowers, mushrooms and butterflies when they are confronted by  a fiery dragon (Shutt and Nicki Maher). Courtenay (Melissa Gryglewski standing in for Lucy Raffaele) intervenes to vanquish the dragon as director (Moynihan) calls out cut and sends everyone home until the morning . When morning comes, Sammy is nowhere to be seen and Roger Stevenson (Josh Rose) Megacorp’s CEO who  is sponsoring the promotional film is forced to take on the direction and spruik the virtues of the great corporation. He faces resistance from Sammy’s loyal cast who rebel against Stevenson’s inept direction and his corporate message. When Lisa explains the resilience of the orangutan to Roger and the cast defend him against the videoed haranguing of the city Mayor ( Janet Preston), Roger experiences the epiphany that awakens him to the true nature of an inclusive community free of the disruptions that divide and marginalize communities., expressed in the impersonal recording of Megacorp’s Middle Connect.

Rebus Theatre’s The Art of Disruption is an endearing work with a subtle and powerful social message. In a final scene of Windows on our Community, actors and dragons unite in communal harmony. Like every fable, the moral opens the way for social change, and The Art of Disruption does this with warmth charm and laughter. There is an excellent lighting design by Jen Wright and sound and video designs, uncredited in the programme, deserve special mention. The performances are committed and lively with some excellent clowning by Nicki Maher. Schutt effectively portrays a variety of roles and Gryglewski lends a birth scene a touch of fine physical comedy supported by other members of the cast. All in all Rebus has produced a thoroughly entertaining one hour of theatre that is both original and instructive. Rebus Theatre occupies an important place in Canberra’s theatrical landscape, and if the season is too short for you to catch this excellent example of Rebus’s work, then do not miss the next opportunity.