High Performance Packing Tape.
Collaborating artists Lee Wilson, Mickie Quick, Mirabelle Wouters, Phil Downing and Antek Marciniec. Performed by Skye Gellman and Timothy Ohl. Branch Nebula. Adelaide College of the Arts. Adelaide Festival 2021. March 4 – 14 2021
Reviewed by Peter Wilkins
High Performance Packing Tape by Branch Nebula was scheduled to be
performed during the 2020 Adelaide Festival. At the last minute the performance
was cancelled after the performer, Lee Wilson, suffered an injury while rehearsing the one
hour physical theatre performance. Watching its revival and replacement
performer, Timothy Ohl at the 2021 Adelaide Festival I’m not surprised. After all, balancing on a precariously placed
tower of cardboard boxes, or walking a tightrope of masking tape and falling
with a collection of large balls strapped to the back or hanging naked from the
duct tape by only the feet is not everybody’s idea of fun. The appeal of danger
is in the anticipation, the fear that a routine may not work and bring grief to
the artist. The audience sits in a state of tension, emitting occasional gasps
and nervous laughter with every slip or fall or prospect of harm. It is the
heightened sense of imminent danger that High
Performance Packing Tape appeals to.
With Buster Keaton indifference, Ohl sets up each routine, testing his skill and persistence. Like Keaton and Harold Lloyd of Silent Movie fame, Ohl is proof of the old adage that if at first you don’t succeed, try try again. Tension is in the timing, judging the audience’s attention and response, knowing just when to fail and just when to succeed, just when to surprise and just when to thrill. There is no pizzazz, no flamboyant showmanship. Every attempt is seriously approached, every fall is intentionally staged, and yet risky enough to anticipate injury.
Ohl performs the final part of
his risky routine naked, a sinewy being suspended at the end in a hammock of
tape wound about his body, and eventually freed by a sharp Stanley knife. Ohl’s intention may be to maintain an
undemonstrative test of stamina and resolve. He would have done well to engage
a theatre director to shape the show into a theatrical event as well as a
display of physical skill and daring. By the time Ohl had completed his setting
up of the tightrope with the fourth roll of duct tape, the tension of
anticipation had dissipated. I was left admiring his persistence and the
originality of his ideas but still longing for that heart-stopping timing and
the sudden surprise and fright that opened the performance with the bursting of
the huge balloon he is blowing up.
Photos by Tony Lewis
