Sunday, June 17, 2018


Conceived and Directed by Garry Stewart
Choreographed by Garry Stewart and the dancers of Australian Dance Theatre

Composed by Brendan Woithe - Lighting designed by Damien Cooper
Costumes designed and constructed by Davis Browne

Dancers:  Jana Castillo – Zoe Dunwoodie – Harrison Elliott – Thomas Fonua – Christopher Mills – Gabrielle Nakivell – Matt Roffe – Rowan Rossi – Kimball Wong
Australian Dance Theatre, Canberra Theatre, 14th 15th June 2018

Reviewed by Bill Stephens

Based upon rhythms in nature, Garry Stewart’s astonishing new work, which received its Australian premier performance in the Canberra Theatre last night (14th June), is an extraordinarily poetic exploration of how these rhythms permeate all aspects of the material universe.

That may sound like a highfalutin description to disguise an incomprehensible evening of impenetrable abstract dance, but don’t be put off. “The Beginning of Nature” is remarkably accessible and packed with extraordinarily seductive images created by Stewart’s endlessly inventive kaleidoscopic choreography which quickly transports the viewer beyond the present into the space promised by the title.

To interpret his hypothesis, Stewart has assembled a remarkable company of lithe, muscular dancers who understand and interpret his choreography with astonishing bravery and virtuosity. He’s surrounded them with an equally virtuosic creative team which has created a lush, deceptively simple, environment which both focused the concept and enhanced the work of the dancers.

For much of the performance the dancers are costumed in flowing unisex robes, revealingly slashed at the sides to allow the dancers freedom and also reveal the fabulous lines created by Stewart’s choreography. Elsewhere the dancers replace the robes with loose trousers or trunks. At one point a bare-topped couple, clad only black trunks and locked at the mouth in an endless kiss, maneuvered each other around the stage. Later two female dancers gnawed animalistically on the leg of a stricken male dancer. Occasional use of bright green, in gloves, long sticks and plants, effectively symbolized primitive life. Otherwise no storyline distracted from the stunning brilliance of the dancing.

Brendan Woithe’s haunting score features sections of indigenous Kaurna language sung in operatic style by Heru Pinkasova and Karen Cummings, both seated at the back of the stage with Adelaide’s Zephyr Quartet. All gave a superb account of the atmospheric score, which also featured pre-recorded enhancements.

During a pre-show talk last night, Garry Stewart remarked that “The Beginning of Nature”, was not his most difficult work to date. It may not be his most difficult, but it is certainly among his most beautiful. With “The Beginning of Nature”, Stewart has created a masterpiece which, following its Canberra premiere will be seen widely through-out Australia, before being performed overseas, including New York, in 2019. When it comes your way, don’t miss it.

                                               Images: David James McCarthy

This review first published in the digital edition of CITY NEWS on 15th June 2018