|Poppy Lynch - Kate Walder - Damien Warren-Smith in "21 Forster St"|
Created and Directed by Kate Walder – Original music by John Shortis OAM
Set and Costume Design by Stephanie Howe – Lighting Design by Benjamin Brockman -Sound design by Clare Hennessy.
Performed by Kate Walder, Poppy Lynch, Damien Warren-Smith.
Presented by Steps & Holes Theatre Co. -The Q, Queanbeyan 26th May to 4th June. 2022.
Performance on 28th May reviewed by Bill Stephens.
“21 Forster St.” is the address of an 1860’s heritage home in the village of Bungendore NSW. It is the home which Kate Walder’s father lovingly restored and renovated and which held many powerful memories for her. Deeply moved while watching from across the road, as 21 Forster St. was being prepared for sale following her father’s death, Walder was inspired to create this multi-disciplinary theatrical reverie to the house and its history.
Devoid of any particular story the work functions like a dreamscape as various incidents, real and imagined, are enacted by Walder, Poppy Lynch and Damien Warren-Smith who portray a variety of characters associated with the house throughout its history.
The simple lives of the original owners who built the house, a macabre doctor who set up a practice which inspired rumours, babies born to a contented couple, even hippies who apparently took possession, all move through the dreamscape, lovingly evoked using a variety of theatrical disciplines including mime, tableau, voice-overs, projections and sound effects.
|Kate Walder in "21 Forster St"|
The work is greatly assisted by Stephanie Howe’s graceful multi-faceted design which allows the actors to create a continuous stream of changing images by gently manoeuvring various elements of the setting, introduce furniture and properties, and make simple costume changes to denote the passage of time and changes of fashion over the years.
The sounds of bush birds, a magpie attack, the crackling of the fire in a pretty fireside scene, the sounds of baby’s being born, chooks beheaded, happy children playing, all feature in Clare Hennessy’s atmospheric sound design. Benjamin Brockman takes advantage of the many opportunities offered by Howe’s setting to create a series of lovely stage pictures for which John Shortis has provided a clever pastiche of charming melodies to reflect and enhance each incident portrayed by the hard-working actors.
Kate Walder has written a beautiful, very personal and affecting work, and while there is much to admire, and the intention and passion behind its creation is clear, “21 Forster St” still looks very much like a work in progress.
Images by Photox - Canberra Photography Services
This review also published in AUSTRALIAN ARTS REVIEW. www.artsreview.com.au